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I am not a coffee connoisseur by any description or imagination. I have a fairly shoddy sense of smell so I tend to over-season my food and I will never find employment as a sommelier. Despite marginally-effective nerve-endings, I find great pleasure in the enjoyment of a great cup of coffee.

First, let’s mention Starbucks, since their coffee has become the baseline for good coffee these days. I throw back enough Starbucks doppio espressos to have a Gold Card. That’s a fair amount of espresso. It’s not bad, and it’s a nice stroll away from my office. I find their cupped coffee to be heavy-handed, nearly vulgar with overwhelming flavors. I think this is in part to maintain consistency across their 17,000 stores.

If you enjoy Starbucks coffee, there’s nothing wrong with you and you might, in fact, really enjoy the pour-over drip coffee method I propose here. If you enjoy a fine glass of wine, a purposefully made cup of coffee just might be your thing. A glass of wine is said to have around 200 flavor notes. Coffee, surprisingly, has more than 1500 flavor notes.[1] The experience of enjoying a cup of coffee can have more dimension, complexity, subtly, and body than a glass of wine.

This has been a ten year journey for me. I’ve tried many coffee preparation techniques and none give me the satisfaction I get from a well-made cup of pour-over drip coffee.[2] French Press is fast and easy and a very good option, but I found the bitterness of that technique overwhelms the coffee’s subtle flavors. An automatic drip machine, like the one in our office, can yield a decent cup with patience and effort and is extremely convenient, but most machines don’t get hot enough to properly extract flavors from the grounds.

At first, this may seem like a technical process, but it only takes a few minutes out of your day to enjoy the simple pleasure and robust flavors of a well-made cup of coffee.

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I use TextMate quite a bit. Actually that’s an understatement; I use the holy shucks out of of TextMate.1 I could get tangental here and start describing, in lurid and shameful detail, my life as a degenerate txt-head, but I’ll save that for a future article.

The built-in Blogging Bundle is probably the feature I use the most in TextMate. Using XML-RPC, this bundle can connect to your blog and pull down a list of posts to edit. Or similarly, you can create a new post in TextMate and post it to your blog. This is pretty cool, but got super cool when I came across this nugget of knowledge that describes how to tweak WordPress so that you can use the Blogging Bundle to edit pages as well.

This is so incredibly useful. WordPress is great, but being the txt-head I am, I work better in a text editor, especially the mighty TextMate. Last summer, I was involved with a complete overhaul and redesign of The Leakey Foundation’s website. We changed the CMS from Joomla to WordPress, and streamlined and reorganized all of the content on the site, taking it from >120 static pages to just under 60 pages. The editor in the WordPress backend is very functional and works well for most applications, but I’d still be working on leakeyfoundation.org today if I didn’t have the ability to edit pages and posts via the TextMateBlogging Bundle.

A recent update to WordPress 3.1 finally broke the the solution Sameer posted in his site, as it looks like Automattic, et al, totally rewrote wp-includes/post.php. But I am pretty sure I figured out to fix it.

So…

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Click on the images to viewer super largerest





This is inspiring to me.



Christopher Irion, an advertising photographer with a studio around the corner from my place, has a portable photobooth thinger that can be set up pretty much anywhere. Kinda like Clay Enos’ Streetstudio, but If you ask a fella like me, Irion’s work has a striking intimacy and purpose.

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Recently, NPR’s “Living on Earth” used my “Dogpatch Smokestack” photo to accompany their piece about a Carbon Tax program in the San Francisco Bay Area. You can listen to the radio piece here.


Some more about “Capturing the moment.





David Allen Harvey is a Magnum photographer; you may have seen his “Hip Hop Planet” photos in a recent National Geographic. He has a really interesting blog where he discusses his assingments and travels…not so much from a technical standpoint but more of a philosophical or emotional description of his work. Recently he offered up an contest on his blog. He listed 7 well known photographers and asked his readers to guess which always carry a camera and which don’t.





While it was interesting to see who does and who doesn’t, I really enjoyed Harvey’s take on camera/no-camera, because, well, he said exactly how I feel about it:







“i always have my camera with me…but, i do not always photograph everything around me all the time…like you, there are no pictures for me unless i am ready to make them…i need to be in the mood….or moved…and no matter what i do or how hard i try, i cannot “capture life”…i wish i could…but it slips by anyway…frustrating….the camera does not help…but sometimes i like to think that it will..that “recording” will somehow preserve the moment…stop this “freight train” or slow it down…a futile attempt …what it does do however, is allow me to savor a situation just a bit more than i would have otherwise…because when i am shooting, no matter how casually, i do “enter” the scene on a deeper level than if i am just standing there with my hands in my pockets….i notice more, feel more, become more….



the resulting picture may only be a reference… but as i sometimes go through the countless cardboard boxes i have stacked around of un-catalogued pictures, what a joy it is to discover some random snapshots of some “unimportant” event that just brings a smile to my face and simply brings back a memory that i might otherwise have forgotten…and if an old song from “yesterday” happens to play at the same moment as i am doing my archival rummaging, then i feel “the power” of remembering and living as in no other way…”