Yestderday, I talked about how I enjoy working with digital black & white. While I don’t miss heavy metals saturating my liver and my fingers smelling like fixer, I have always favored the way film grain looks, especially in Black and White photos. Now there are approximately 101 ways to achieve a film-grain look in photoshop, and the technique I am about to outline is but one. I can’t say it’s the best, but it’s been working for me so far.





As you read this, you’ll note I am coy about the particulars. A good chef never gives away his entire recipe. Part of the fun of photography is figuring out what works for you and your vision. I suggest using this guide as a starting point for experimentation until you find something you like. Here’s how it works:





  • Open your file…me, I shoot raw, so I fire up ACR and do all of my tonal adjustments there. I suggest making your images a hair flat because this technique introduces a touch of contrast.


  • Copy the layer




  • Here’s a close up, for reference, of the image before grain is added:





  • Open up levels, and adjust the output channels. We are looking for something really flat, like so move the black slider to the right and the white slider to the left. Hit ok




  • Filter>Add Noise. I like 6%, guassian distribution and monochromatic. My action runs this filter more than once.




  • Set the layer mode to overlay, the layer opacity to 50%. You can adjust opacity to taste.



    And here’s the same area after the “grain” is added:





    You can click on the images below to java-magically see a larger image. It’s a subtle effect, but the idea is to enhance your photography, not show off an effect.





    Here’s the before:





    And the after: